American Audio V2000 MKII Spezifikationen PDF herunterladen (Seite 27)

Audio Cabling

nel’s signal, even if its fader is all the way down. This kind

of output is usually referred to as a monitor output, and

may actually be labelled as such. So, each channel has two

knobs that are used to create a mix which is sent to the

desk’s corresponding auxiliary (or monitor) output. Con-

nect these two outputs to the audio hardware’s two inputs.

For example, if the two pre-fader Aux Sends are labelled

“Aux 3” and “Aux 4”, you would connect a cable from the

desk’s “Aux 3 Output” to the first audio hardware input

and another from Aux4 to the second.

You can now control MAGIX midi studio generation 6’s

inputs with the Aux Send controls (and their master

sends).

Mixing Desk with Sub Groups

If your mixing desks has sub groups, use them for record-

ing. Connect the first sub group output to MAGIX midi

studio generation 6 input 1, and the second to MAGIX

midi studio generation 6 input 2. The recording level is

now controlled with the sub group faders.

Connect the outputs to the first few channels’ Line or Tape

inputs. Connect the rest of your sound sources (effect pro-

cessors, microphones etc.) to the remaining channel in-

puts.

During recording, route the channels that are to be re-

corded, or the sub groups to your desk’s stereo (master)

outputs. If your audio hardware supports more audio in-

puts, connect more sub group outputs to them as needed.

Avoid connecting the MAGIX midi studio generation 6 re-

cording inputs to your desk’s main output (Main Out)—

these, as well as the Control Room output that usually car-

ries the same signal, are meant for your monitoring equip-

ment and your stereo or two track tape machine. This out-

put includes a mix of MAGIX midi studio generation 6’s

output signal, which you do not want to re-record.

A DAT mastering machine is not required, as MAGIX

midi studio generation 6 can master CD-Rs, in conjunc-

tion with a CD burner. If you choose to use a conventional

mastering machine, a DAT or MiniDisc recorder or an an-

alog tape deck, connect it directly to the mixing desk’s

main output.

Tape Input

Aux Send 1

Aux Send 2

Aux Send 3

Aux Send 4

Right - Main Out - Left R Main Insert L R Control Room L

R Tape In L

R Tape Out L

R Aux Return 1 L

R Aux Return 2 L

Bus

Outputs

(Sub

Groups)

Mic

Line

Insert

DirectOut

Mic

Line

Insert

DirectOut

Mic

Line

Insert

DirectOut

Mic

Line

Insert

DirectOut

Mic

Line

Insert

DirectOut

Mic

Line

Insert

DirectOut

Mic

Line

Insert

DirectOut

Mic

Line

Insert

DirectOut

Mic

Line

Insert

DirectOut

Mic

Line

Insert

DirectOut

Mic

Line

Insert

DirectOut

Mic

Line

Insert

DirectOut

Send / Return Studio Monitor Out

Tape Input

to the

from the

outputs

recording inputs

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